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Clothes can play tricks

sounds like you are on the right track in terms of health and exercise program and that is formidable. Your question is complicated so I'm going to start the top ... literally!

To make shoulders look wider, play some visual tricks. The shirts with the cuffs are great ... leaving the top 2 or 3 buttons open and spread the collar / cuffs off. The points of the collar draw the eye outward. The filling is very light in the back of the blouse will also help. The tops of the shoulder with the ornamentation are also good ... epilates, ties, buttons, linings etc largely made. and those with exaggerated lapels are great! Go for some of the coatings designated military who are returning this year ... that usually have a lot to help keep the look of your shoulders wider.

In terms of bras, I love the secret of Victoria. The IPEX bra with the wire is worth it to try on the shape of the cup without filling up the breasts naturally. Try some different models and see which lifts us above while also providing a nice shape.

The long legs are a physical characteristic that most women would kill for. So really wishes to emphasize and play down your life. The exercise is going to help you get your tummy back in shape and life, but until then, here are some strategies. Putting women in short wasted should avoid wearing tops tucked in their skirts or trousers. Would you like to call the attention away from the position and / or format of your life so that all the tops should be both long and moved out. Tunics

is a great option. If you plan to wear a belt, must be thrown down on your hips, not around your waist. No color change can take place at the waist. We are looking for continuous color from your shoulders to your too. Go for longer jackets and tops trimmed to avoid any sort at all costs! Also avoid the tops so far. We do not want the rolls highlighted. Wear high heels as much as possible.

Even if you are tall with long legs pleasing, nothing makes a thinner look to expanding its line of sight. Bring along your pants and make sure there are no pockets, pleats, etc. to be stored on your mid section. Make sure your pants are paired with a long tunic top or a long finish. ... Again, nothing has tucked in..

In terms of skirts, knee length or a little longer is fine. Make sure there is no pictures ... especially the top tucks, gathers, pleats, etc.. looking for a clean line skirt that is straight or one-line. The details of the board are fine. Go to the Web site of the Spiegel catalog and look at the spa's signature knit collection. They have a great Tunic of the Bateau-neck and some other parties including a coordinating skirt, a cardigan and pants great for the fall and winter.

also look at the T of the oscillation of Off-shoulder ... in fact, just cruising the site and see if something grabs them. You can write back to me with the names of the article and I'll let you know if it could work for you! In terms of clothes, I have not seen anything that really grabs on this site.

suggest a faired the sheath dress as your best option. They are classic and details, if any, are usually at the neckline or shoulders. Should be easy to find in department stores. Just looking for something that has not been set but form-fitting, and just as gently flairs reaches the edge. No screw or belt cinched. Go for darker colors as well. If you find two or amended multicolored, just make sure that the color change does not occur at or around your waist.

Article Source: http://www.myarticlemall.com

Victor Epand is an expert fashion consultant at www.LingerieDress.com/ . Visit us when you want prices, styles, fashions and the best measures of all types of lingerie. We carry an excellent selection of daily, as well as specialty items and bridal .

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1970s

Nick-named "me" decade, "please yourself" was the slogan of the 70s. Much as it saw the conclusion of good taste. The decade began with a continuation of the hippie look of the late 60's, with Afghans, Indian scarves and flower-print tunics. The jeans have remained frayed, tie dye was still popular and a way to unisex has grown rapidly. A huge movement that demands civil rights for blacks combined with the influence of soul music from the USA created a nostalgia for Africa and African culture. Emerging radical chic, influenced by the likes of James Brown, Diana Ross, Angela Davis and the Black Panthers, in everything from afro hairstyles to platform soles. During the seventies, the brands have significantly increased their share of the international market. The edges have begun to fall in 1974 below the knee, until finally reaching the mid-calf in 1977 and the lowest shoulderlines were dropped.

Perhaps the two most innovative French fashion designers of the 70 were Kenzo Takada and Sonia Rykiel. Undisputed star of Paris fashion in the Seventies, Kenzo drew his inspiration from everywhere, stirring the folds of western and eastern influences with a great joie de vivre and an instinctive understanding of what his young customers wanted. With its fluid lines, unusual prints, smart accessories and finery that was hitherto unprecedented in wait - the door, much has traveled the world to the opposite way. The queen of figure-hugging knits, in 1974, that Sonia Rykiel has designed his first pullovers with reversed seams. However, more than that, it has generated a whole range of clothes that were highly specific but may be carried almost anywhere. The Rykiel style, dominated by liquid knitted garments, dark blacks, rhinestones, boa-like scarves wish and little crocheted hats, conquered the American market and even to this day is considered by many Rykiel Americans as the true successor of Chanel.

Because of punk, London has retained most significantly a considerable degree of influence over how, in the boutiques of King's Road, where Vivienne Westwood's boutique, SEX, which opened in 1971, jumped to the prevailing wind. This temple of British Iconoclasm has focused on accessories and the range to cover in such fetishistic black studs steel and rubber were the external signs of an underlying sadism. Postmodernist and essentially iconoclastic punk movement was a direct reaction to the economic situation during the economic depression of the period, the vehicle for a hatred that was more visceral political. Punk has had it's heart a manifesto of creation with the disorder. With their ripped T-shirts, Red Indian hairstyles, the document Martens, bondage trousers and chains, the punks exported an overall feeling of revulsion around the globe.

Another popular style was adamant the British unmodern, feminine, countrified style of clothing popularized by Laura Ashley, which consisted of long flounced skirts and high-knecked blouses in traditional floral prints, bring shawls leaf rampant. Laura Ashley started out running a small business in Wales in the mid-1960s and the company continued to expand until the accidental death of its owner in 1985. Laura Ashley was not the only designer to look at the nostalgic past. The mode based on 20 years, the 30s, the 40s and 50s were popular during most of the decade, with Hollywood films like the Godfather and the great Gatsby, and numerous exhibitions on costume history at the Metropolitan Museum of Art in New York increasing their popularity . In Japan, the boutiques of the fashionable Harajuku district of Tokyo have sold many versions of the footage looks traditional American and British.

In the U.S., so the overall trend was towards simplification and skirts longer, although many women reacted negatively to the midi-length, which were considered old. The pants, on the other hand, earned unanimous approval. The jeans have profited most from becoming in an accepted part of the American scene in the 70's, their new-found respectability so that results from their inclusion in the sportswear collections under. The new stars of American wait - have adapted to bring the best of what they learned from massive American clothing industry of Europe. Calvin Klein and Ralph Lauren rose from anonymity more or less simultaneously to tackle the question of designing clothes for men and women of the New World. Two opposition movements have dominated the way in the USA during the seventies. On one hand, it was adapted, the unisex look, on the other hand, a fluid, unstructured style with a strong feeling of the glamor of the thirties. The America's most influential designer of the time, Roy Halston Frowick (known simply as Halston), belonged to the category back. Buy celebrity status on the New York scene, his special talent was in reconciling the garment tailored to the special occasion with the concepts of comfort, relaxation and naturalness. With his kaftans, shirtwaisters, djellabas, ultra-light dresses and tunics by shifting excessive wear shorts and wide-legged trousers, was an icon of the era and a regular guest at the VIP room of Studio 54 after its opening in 1977.

Geoffrey Beene, praised for its elegant and sophisticated cuts and his use of black and white, was his most successful in the radically simplified designs which he excelled. His smart little dresses and well-cut suits in jersey, flannel, and wool were instrumental in the discouragement of American women from over-accessorizing. Bill Blass, who launched her own range in 1962, has developed a habit of traveling all over the U.S. to hear from himself what his customers wanted. One of the most popular designers of the time, could almost too much in the fulfillment of his desires of customers. Her style and disciplined execution have been particularly favored by businesswomen and wives of senior executives. Betsey Johnson started out designing for the boutique Paraphernalia. Using vinyl and metallic fabrics and putting the emphasis on spirit, imagination and independence, brought an unprecedented spirit of irreverence to New York in the seventies.

The clothes of the bottom of the glam rock of the lineup of popular fashion rock of the perpetrators of these is to be led by Marc Bolan, was very influential on the UK's The David Bowie and the specialist. Much had to look for a designer Elio Fiorucci's like. The boutique's one of the things that the sale of Milan is a brightly colored rubber of the boots, the daisy of the plastic sandals, Pop Art-inspired jackets And the fake fur of La.

During the 70's. A. new generation of menswear boutiques has been created, aiming to change the decoration, rituals and customer base of a trade traditionally "difficult". Sell \u200b\u200bfashionable clothes at a young at the end of the 60 was still, in many circles, equivalent to question his masculinity. The appearance of the men has changed more in the seventies he had done in a whole century. Many of the fashion designers who revolutionized the look very male had their innovations in Pierre Cardin: narrow shoulders, the member lines, no bond, no connection, closes with zip-up clothes the boiler, waisted jackets or tunics, sometimes no shirt. Inspiration insured for a less formal style, encouraging designers of work clothes to look beyond the traditional dress and, for example, to take a look at the unisex or to study the massive supply of second-hand clothes. Sometimes this kind of male dressing-down, often denounced as 'hippie', gained formal recognition as a deliberate look. At certain times, as part of a movement of the back, the designers introduced a revival of 30's elegance. Unearthing of old military clothing, preferably khaki and the United States, English-style shoes, Oxford Shirts, T-shirts immaculate; tweed jackets with padded shoulders; sweaters bright-colored V-neck cashmere-printed scarves around their necks completely covered have imposed some uniformity to the casual glance of the beatnik wardrobe of the male end of the seventies.

Also significant are the developments of the Italian way that happened during the period. Over the 70 years as a result of its wait - bring industry, Milan has confirmed its status second only to Paris as a center of international fashion. "The fashion of the Alta Roma preferred, the base of the couturiers Valentino, Capucci, and Schon. Capitalizing on the dominant trend of anti-Italy has offered so a glamor that had nothing to do with the dictates of Parisian haute couture. While profit from a well-defined style, the Italian fashion was luxurious and easy to carry. The two most influential Italian fashion designers of the time were probably Giorgio Armani and Nino Cerruti. Giorgio Armani has produced its first collection for women in 1975. From the beginning, the line was dynamic, urban and understated, androgynous in inspiration. Armani offered a restrained style that greatly appealed to the increasing population of women who now had access to the world of work and held the positions progressively larger. This was only the beginning of a tremendous career, which came to fruition in 1981 when Emporio Armani was launched. Nino Cerruti in 1957 opened the Hitman menswear boutique in Milan. A man of taste and discernment, and in 1976 he presented his first collection for women. Two years later, he launched his first fragrance. In connection with successful career as an industrial to a high quality designer, Cerruti has occupied a unique position to wait in Italian - the door. The stern Kasey has always liked wearing these clothes that she was very feminine.

Did Heather Brooke Quit?

August 2009 to pitch yoke ... From the Casentino

Postcard Blog by Alex
Vieri

Greetings!
from
Pass Yoke 882mt (Fi)
(Disl. 600m - an average gradient 5.7% - km 11)

Graph of the slope of the pitch yoke

(source http://www.salite.ch/ )

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I found only platform shoes and a CD of the newish mini tennis dress 70s.

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in Paris from 1930 - the 70

From the container of his personal items, these receptacles have become fashion accessories, clever design for women represent a tool of seduction that the 1930s were the age of movie stars and good housewives. Each dress casual or if the race in the afternoon or evening had its grant match from the bags shoulder, the bucket bags and flat bags. These grants were made by a rich array of materials, the calf, crocodile, pigskin, ostrich, the doe-skin, suede, lizard and snakeskin were often used in combination with metals and enamels. These were the golden years of the clutch, flat and rectangular in shape.

During the 1940s the way was far from thinking people '. The designers had to be creative with leather taken from older models. However, the 1940's were a time to experiment with new materials such as colored rubber supplied by Perelli.

Over 50 years, Italy has re-emerged at the forefront of the scene of the bag in the world. Leather triumphed, as no other skin can be tanned to last, dyed in any color, as is soft tissue and at the same time as it takes. New materials such as plastic bags were introduced and have become more practical, functional and larger. Some bags even have contained a smaller and more stylish bag. The style of sausage 'was fashionable until the end of the 60's. The green bag in the afternoon of the calf has become a style icon in its day, elegant and linear. During the bright colors of the late 1950s-early 60's made of suede leather and pink were popular.

The 60's saw the rise so brilliant youth with a bag of black patent Chanel on a long chain of gilt that strikes a chord. The PVC bags were bright and reflective designs with op angle and black and white art. However, from 1961-65 grants described above in magazines, not having the right look to check the generation of sixties hip. Increasing the challenge, the designers of the bag have introduced multi-colored shoulder bags to complement the models, and later psychedelic "flower power mode." They have won over a new generation of fans to the bag. Towards the end of the 60 Eastern-influenced the larger satchels and shoulder bags tissue were much sought after. The growing familiarity

marked 70 years; blend fabric, patchwork leather bags, brass and suede set. The Chambers of the St. Laurent Couture as represented by beige canvas and brown leather shoulder bag with fittings leash dog have placed their marker. In 1974 large, soft envelope bags were popular, with thick clutches, such as ginger and smart handbags cream barred by Christopher Trill. Another talented designer, Clive Shilton, jewelry artfully combined in the 1930s with quilted floral designs.

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designs and motifs in fashion 70 years

The first thing you notice when watching an old film of the first mid-70's are particular reasons why the designs of the fabrics used in clothing and more. Amazing and eye-catching multicolored geometric designs, large or small little flowers, circles, lines, Braided deformed ... I mean the best you can imagine from the world of color. And even here, as we saw for the wedges, there are social and historical causes.

need to go back about 10 years when the West Coast created the first American Hippy movement that spawned the Beat Generation and the Flower Power. A key feature that distinguished them was their strong no to any form of war, as well as their more famous slogan was "Put flowers in your guns" text also included in a famous song by the Ravens.

With the explosion of the Flower Power in the mid-60 is easy to imagine how the phenomenon has moved from an underground subculture of fashion every day. Although the highlight of this fashion was 60 at the end of the tail of the erosion is taking place in the first half of the 70 with its natural evolution. However, the issue was only one: color! You could have a white mini-dress but the edges could be trimmed with red. You could have a single large flower or a lot smaller. The most recurrent theme was that kind abstract design reminiscent of the water drop and its related strains. These designs came from a fashion born deformed during use hallucinogenic drug that produced a particular way of writing, all distorted (Think of the covers of the 45 rpm era).

Everything was good for coloring: skirts, shirts, mini-dresses are so fashionable, dresses, pants, scarf (very fashionable at the time). But cars and furniture. My bathroom has tiles dating back to 1974 with a geometry shamelessly and lovingly 70s. Beautiful! That's why lot with the family to not change although they are known as "the shame of the house." And the wallpaper is so fashionable in the 70? If it was not that there were no flowers. You do not know the costs that families supported to put wallpaper on the wall. Today's paper talk wallpaper is like talking to 165 pounds of gasoline per gallon!

Returning to the tissues, over the first 70 years the flowers turned into geometric straight lines, not more oval but then deformed rectangles, squares, Greek, diamonds, diagonal lines ... The fashion flowers being in decline, and like all fads fade, become the exclusive use of an older audience. Remember the kaleidoscope? That tube with mirrors to look inward and turning it appeared geometric designs 1000? That's ... what you saw was the fashion in practice and it is still possible to buy in a regular supermarket at 10 € a garment covers the drawings reminiscent of that period. Only to then be told: "But grandmother is. " (But we are deaf 70-love it?)

Since 1975 the phenomenon of color is dramatically decreasing as a geometric fashion clothing is spreading the knitting, the true queen of the second half of the 70. No more colorful printed fabrics in yarn dyed, but only one that will last until the 80 advanced. Hence the family (the wealthy) were to replace their wallpaper with monochrome tones.

Personally I have a nostalgia of those amazing dresses, hand-eye effect and still I never lose an opportunity to go voluntarily in the markets of the cities to try and buy some nice new dress too 1000 of the lira as one of the photo. It is more flashy, and the more I like ... It 's useless when the 70 are in the blood there is nothing to do! As luck would have entered the donor AVIS!
http://www.pagine70.com/vmnews/wmview.php?ArtID=73

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The 70's were literally the "anything goes" decade. For some, the uglier and clunkier than the way, the better. For others, soft and feminine was the answer. Whatever "dig" however, make a fashion statement reached its apex in the 70s.

The 70's were an intensely tumultuous time, with various cultures and subcultures coming out into the open immediately. The Cynicism abounded as militant feminism, civil rights, the scandal of Watergate and the Vietnam War brought gritty reality to the forefront. These influences gave designers new ammunition, and the public was eager for the latest wave of fashion.

The idealism of the 60 had long since vanished in the wind. Was increasing anxieties about global pollution and depletion of natural resources of the earth. The 70's had seen war in the Middle East, the war in Vietnam had ended, there was corruption in the highest levels of American government with Watergate and Nixon's resignation, an oil crisis and the lipstick Khmer of Cambodia had turned into fertile land on the killing fields. There was a daily diet of the difficulties introduced in the headquarters of the Western world through television.

Movies and television shows such as Charlie's Angels were having an increasingly profound affect on fashion. The cultural icons such as Wonder Woman created a lust for boots-often interesting teamed with hot pants or short skirts. Boots might be shiny, have structured, bejeweled, or covered with psychedelic or floral designs, but they were rarely boring.

Dressing to shock was popular and the movements of Glam and Punk have taken to an extreme. The designers have pushed the envelope by decorating shoes for adoring-and outrageous-customers such as the Elton John, David Bowie and Cher. Designers took platform shoes to new heights, building 7 - to 8-inch stacked heels and covering them in rhinestones, sequins and other ornaments in.

The conservative media have compensated by illuminating the romantic, soft and classicly beauty. The historical revivals, in many periods of history, continued. This trend, embraced by design houses such as Biba, Ossie Clark and Yves St. Laurent, is apparent in the pumps of the court of Edwardian-style, in the Roman-inspired sandals, and squared-off toe-reminiscent of the 1940s.

Mode of this era are also frequently marked by designers such as Givenchy, Norell, and Oscar de la Renta. The trend of the 60 mini-skirts, bell bottoms and the long hair, lasted through the decade. Polyster knitted fabrics have broken the earth looking to expand continuously. If you do not Scaffold polyster, the preferred textile was denim blue jeans. The skirts came in three lengths 70 years, mini, midi and maxi in. Television and film reflected the way people dressed like Annie Hall and Saturday Night Fever. The rear half of the fashions of the decade was heavily influenced by glam rock - and - and roll music of Disco.

Speaking shoes, Nike debuted in 1972, the result of a fateful tip of ingenuity that comes into contact with a waffle iron. Work has become a popular pastime and running shoes were a functional necessity, especially for men (and Farrah Fawcett - see "Charlie's Angels"!) The athletic craze was only just beginning, however (see 80) .

Not only did Nike hit the scene in 1972, but David Bowie's alter ego Ziggy Stardust, which came out ..... on a large scale. According to Bowie, the name "Ziggy" came primarily from the title of the London tailor's shop (called "Ziggy") that Bowie observed from a train one day. In an interview said it was his private joke that because Ziggy Stardust was going to be largely about clothes, he had called him "Ziggy". But digress .... With a wham, bam thank you ma'am, GLAM was suddenly all the rage on both sides of the pond. The boys borrowed boa girls, blouses, slinky shirts and sometimes even their makeup. Bands like the New York Dolls have had the biggest followings of Elvis and it was hard to tell the girls from the boys! The way it was all over the place from this point and in 1975 there was the natural romantics (think Gunne Sax), mothers of the earth (think of the earth shoes and chukka boots) and was now the girls running style to try the boys'.

Diane Keaton, Woody Allen's chanteuse in the film "Annie Hall" of the neurotic 1977 venture, was very different from other leading ladies in one all-important area, this lady looked like a man (so-wise only of course). Men's shirts, ties, fedoras you name it. In the late 70's, the women's lib was free from the shackles of old-fashioned feminine cuts. There was a collective gasp in the late 60's when the boys wearing girls `cover 'and wore pantsuits outside the house, but this &ldots; of this was true of the closet to steal their father! What wacky Annie led the Blazers of men, baggy pants, shirts, oversized shirts, ties and hats-sometimes a limp all at once, or sometimes just men's jacket was an accessory.

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Pratomagno ...

I come from we say:
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Why??
Because only a fool like me could come up with to make a turn in Mtb as what we did ...
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Alex Vieri